Showing posts with label strong heroines. Show all posts
Showing posts with label strong heroines. Show all posts

Accomplished or Strong?



I read a blog post by Anna Gunn, the actor who plays Skylar White on Breaking Bad. For those of you who’ve never seen it, it’s a show about a high school chemistry teacher who finds out he’s dying from lung cancer and, to spare his family a huge financial burden, hooks up with a hood he had in class once to sell meth and save his family from financial disaster. Skylar is the main character’s wife, and the actor’s post was about her character and how people respond to it, plus her take on it. Read it here.
            I read the post with great interest because I really like the show, but what struck me was the discrepancy between the character the actor thought she was projecting and the character that I see as a part of the story as a viewer. She seemed to think that viewers didn’t like her character because she was a strong female, gutsy and a role model for women. Her idea was that viewers couldn’t handle a strong female character and thus didn’t like her. I honestly don’t like the character, but what was so interesting is that the reason I don’t like her is totally different from what the actor perceived to be the issue. Whereas she thought it was about a strong female people didn’t understand, I felt her character was completely self-absorbed, selfish, and unsupportive of her life mate. I’m a feminist, so certainly if this “strong” character had some quality that I could translate into something I could relate to, I would. However, she doesn’t.
When Skylar's husband tells her he’s dying, it becomes all about her and their family. She never once acknowledges that what he’s done was because he wanted to take care of them, and, instead, does nothing but chastise him for bad choices and putting the family in danger. Yes, he has done this; however, he’s also protected them from every attempt made to draw them into the underworld and even risen to the top of the drug world to make sure he’d not lose them. Skylar’s view of her husband, however, is that he’s a milquetoast, and she never gives him credit for his being the badass that he’s become. So, while the actress thinks she’s projecting a strong character, the way Skylar is written feels more like a woman who liked her husband weak, which he was before the cancer, so she could be in charge. That’s not a strong woman; that’s just a controlling person who spends more time looking out for herself than loving her husband.
I tried to like this character. I really did. And there were moments she was kind of engaging. However, even when Skylar has an affair, she treats her lover just like she treated her husband. Everything is all about her and no one else. That’s not a strong woman. That’s a selfish person, no matter what gender.
So, I guess I find it fascinating that the actor who plays Skylar thinks she’s portraying some kind of poster child for the modern woman when so many people don’t see it that way. It makes me wonder about my female characters. I know for a fact that at least one of them draws the ire of readers because of her low self-esteem, which is awesome because that’s the way I wrote her. She;s not strong at all, though she’s accomplished. She’s a mess when it comes to relationships and feels unworthy of being loved. She’s annoying because of this, but in the end she takes a risk on her lover and wins. With Skylar, you get the feeling that she never has loved anyone, except herself.
I guess the tricky part to writing engaging female characters is to make sure to not confuse accomplished and capable with strong. It’s a struggle all writers face. What do you think as a reader or a viewer or both? What makes a female character strong? Likable? Please do share!

Instinctive Characterization


How do you create characters? Some people do interviews or questionnaires, others just sit down and write, letting the story unfold. Some people use astrology or other methods.

Often, the first time I see one of my characters is in a scene playing out in my head. Action is taking place, characters are talking, certain emotions are involved. I have a vague idea of setting and atmosphere. I’m usually able to catch a glimpse of the character at least. Perhaps I can’t even see the color of his eyes yet, but I sense his mood and facial expression. This is like the germ of a story idea and character.

When you do something instinctively, you do it naturally. It’s something that comes from within you. It isn’t something you force with your autocratic rational side. I’ve tried to force my characters to come into existence or to be a certain thing, and I know it doesn’t work. (At least for me it doesn’t.) In my experience, a stubborn character will only become more stubborn if you try to force him into a mold he can’t fit into. Like your mom trying to make you take piano lessons when you hate piano.

A character comes from your own psyche. Likely there will be some tiny trait from your personality in your character. In many ways, a character is an extension of you. And you need to understand your character from the inside out. You need to know your character down to his soul. The only way to dig down that deeply is to let things unfold naturally, instinctively. Your subconscious needs to get in on the process. That’s when your character and your story will “feel” right. That’s when your character will feel real.

How do you develop your characters and get to know them? Do you have a specific method or technique? Do all of them pop into your head fully formed or are some of them stubborn? If so what do you do to coax them out?



The above post is an excerpt from a workshop I’ll be teaching on characterization starting June 1.

Workshop - Instinctive Characterization: How to Create Sexy Heroes and the Strong Heroines Who Love Them
Instructor: Nicole North

Date: June 1 - 30

Fee: $25

The romance genre is primarily character driven and those characters need to feel as real as you or I. How do you create characters the reader will fall in love with? If characters don't magically pop into your head fully-formed and three-dimensional, how do you help them come to life without forcing them to be someone they're not? We'll use several tools and methods to develop characters instinctively including:

How to use GMC (goals, motivation and conflict) to create active characters
Discovering and using our character’s backstory
How do you make characters empathetic and likable?
What is a great (real life) personality test to use for character development?
How do you use archetypes?
What is a fatal flaw?
Characters and conflict
Characters and deep POV
What makes a hero sexy and a heroine strong?
Describing and naming characters
Villains
...and more

This is a new, interactive online workshop with exercises and critique/ feedback from the instructor. It is a private workshop held in a yahoo group. The lessons will come to your email inbox.

To register or read past student testimonials about my other workshops please visit my website and click on "workshops" on the menu:
http://www.nicolenorth.com/

About the presenter: Nicole North writes sensual and erotic romance novels and novellas. She is the author of paranormal erotic romance novellas Beast in a Kilt, Red Sage Secrets Volume 29, Indulge Your Fantasies, July 2010; Devil in a Kilt, Red Sage Secrets Volume 27 Untamed Pleasures, July 2009; and Kilted Lover, Red Sage, November 2009. She has finaled in over a dozen writing competitions and won several awards. Reviewers have said her stories contain "heart and heat, killer love scenes, magic and extraordinary characters." She has a BA degree in psychology but writing romance is her first love.

To register, please visit http://www.nicolenorth.com/ and click on "workshops."
Or email: nicole (at) nicolenorth.com
Thank you!!
Nicole

P.S. I donated a copy of each of my anthologies to Brenda Novak's Online Auction to Benefit Diabetes Research. Please click to check them out or bid:



Secrets Volume 29 (due out July 1)

Thanks!