Showing posts with label Palace. Show all posts
Showing posts with label Palace. Show all posts

Stirling Castle, Scotland, Part 3: Inside the Palace

Between 1538-42 James V, the King of Scotland, had this building, the Palace, built for himself and his French queen, Mary of Guise. A couple weeks ago, I showed you the outside of the building and the original Stirling Heads which adorned the ceilings. Below are the important rooms inside the Palace

This is the recently recreated Royal Lodgings of James V and Mary of Guise as they would’ve looked in the 1540s. Experts researched for years to get every detail exact so we can see and appreciate how rich they would’ve looked when new.

Above is the King’s Outer Hall. A sign on site reads: “Only people of some social standing were allowed into this room to wait for a possible audience with the king. Staff then decided who might be given the privilege of petitioning or conferring with the monarch. The chosen few were invited to enter the King’s Inner Hall.”



I loved this suit of armor displayed in the room.

 This oak door is original 16th-century and this was verified by dendrochronology. It is amazing it survived so many years given Stirling’s military occupation.


The King’s Inner Hall “Visitors had the opportunity to meet the monarch in this room. Access to the king was tightly controlled—it was a great honour. Look for the Royal Arms of Scotland above the fireplace. The king’s chambers are unfurnished as they would have been after James V’s death.”

The painted design at the top of the walls is called grisaille paintwork, designed to mimic relief-carved stonework. The fireplace with its carved eagle capitals is original.




Recreations of the Stirling Heads reside on the ceiling as they would have in the 1540s, richly detailed and colorful.



The King’s Bedchamber: “Only the most important visitors and personal friends met the king in the intimacy of his bedchamber. Can you see the unicorn, a royal symbol of purity and strength, over the fireplace? The monarch probably dressed, washed and prayed here, while sleeping in a small room nearby.”




 James V’s crown is alternated with his royal ciper I5 is shown on the ceiling of the King’s Bedchamber. You will also see the royal arms, and symbols of the great European chivalric orders.


The Queen's Bedchamber

King James V died in 1542 and may not have seen this Palace completed. This is why his rooms are bare as they were originally. Contrasting those empty spaces are the richly furnished Queen’s Lodgings. Mary of Guise lived here after her husband’s death and eventually assumed control of Scotland as regent.


The Queen’s Bedchamber is right next to the King’s Bedchamber. The ceiling shows an arabesque antique style, in gold leaf, centered on the heraldic arms of the de Guise family. Luxurious brocaded gold cloth hangs on the walls. Persian carpets are on the floor and table.




The Queen’s Bedchamber: “This room was reserved for the queen and her most important visitors. The great state bed was symbolic—she slept in a small room nearby. Look for three birds shot by a single arrow painted on the ceiling, the mark of Queen Mary of Guise’s family.”

Detail of the alerion, three eagles shot with a single arrow, a deGuise symbol


Another ancient oak door leads into this room.


 The Queen’s Inner Hall: “Honoured guests would be granted a chance to meet the queen in this room. The stools and benches were for her ladies in waiting. The newly painted ceiling includes portraits of James and Mary, though it may once have been covered with carved heads.” Experts believe this because there were more heads than would’ve been required for the King’s Inner Hall only. Plus a visitor from 1731 described “two of these ceilings set of with ye well carved busts.” The set of Hunt of the Unicorn tapestries displayed in this room are highly prized.
“The Unicorn in Captivity”
These new tapestries were commissioned by Historic Scotland and some were woven at the castle. Each takes two to four years to complete. They are based on the original set of 16th century tapestries now in the Cloisters Museum of the Metropolitan Museum of Art in New York. Based on remaining inventories, it is believed that James and Mary had a number of tapestries. A set could have cost as much as a new warship. This set contains 7 tapestries that tell the story of hunting the unicorn in order to obtain its horn, believed to have magical powers of purification. This story could have several different interpretations, from religious to romantic.
Detail of “The Unicorn is Found”


The Queen’s Outer Hall: “This was the waiting room for people hoping for an audience with the queen. Those selected by her staff then moved to the Queen’s Inner Hall. This room was also used as an informal dining room.”

Interesting detail of the ceiling in the Queen's Outer Hall.
James V
Mary of Guise

I hope you enjoyed this visit to James V's and Mary's royal home.
Vonda
www.vondasinclair.com

Stirling Castle, Scotland, Part 2: The Palace & Stirling Heads

The Palace and the Queen Anne Garden

Stirling Castle is a royal castle that stands high on a volcanic crag over the plains below. In the past, this site was one of the most strategic locations in Scotland. It was said that to hold Stirling was to hold Scotland. Because of this, it was attacked fairly often and was the focus of the important battles of Stirling Bridge in 1297 and Bannockburn in 1314. From the 1100s, Stirling was one of the favorite homes for kings and queens in Scotland. It includes an interesting group of buildings which were built in the 1500s for the Stewart court. In the 1600s after the king decided to live elsewhere, Stirling was converted into a garrisoned fortress for soldiers.


Detailed carvings on the exterior of the Palace
 Stirling has been described as ‘a huge brooch clasping the Highlands and Lowlands together.’ It overlooks Stirling Bridge, and hundreds of years ago, controlled who was allowed to cross the River Forth. The castle played a key role in the Wars of Independence and was extremely damaged. It was rebuilt several times and this is why only the later buildings survive above the ground.


View from the French Spur where several cannons sit. Stirling Bridge, River Forth, and the Wallace Monument.



A pepper-pot sentry box

We had to duck to enter the low door of the pepper-pot sentry box. 
View from one of the arrow slits in the Forework


The Forework, the Palace and the walls of the French Spur
 The beech tree seen above is over 200 years old.
The King's Old Building
 Shown above is the Inner Close and the King's Old Building which dates to 1496 and housed the royal apartments of King James IV.


1538-42 James V had this building, the Palace, built for himself and his French queen, Mary of Guise. He wanted to send a message to the world: that he was a wise and virtuous ruler. The king decorated the outside of the palace with over 250 sculptures designed to proclaim the peace, prosperity and justice of his reign.



 The upper floor of the Palace is where the Stirling Heads Gallery is located. It is like a museum and a great place to learn about courtly life during the 1500s. Below are some quotes from the posted information.



 “1539 James V commissions a series of carved timber portraits – the Stirling Heads – to decorate the palace ceilings. The Stirling Heads visually presented James V credentials and demonstrated his right to rule.”




"‘Virtue and good actions… good training and… an array of family portraits,’ these were the qualities of a Christian prince in the 1500s. Making and exchanging portraits was an important part of political strategy. Portraits were given to seal political alliances and formed part of the negotiations of marriage contracts."



 King Henry VIII of England celebrated his geneology in a similar way to James V. But whereas Henry VIII could point to only two generations. James V could claim a long and unbroken family line going back to Robert II, the first of the Stewart monarchs.



Over a period of ten years Historic Scotland, together with other experts, has undertaken detailed research into the Stirling Heads, the sculptures and the palace. What you see today is the result of careful analysis by historicans, archaeologists and conservators to reveal some of the meaning behind James V’s elaborate design for his palace. The knowledge has enhanced our understanding and helped establish the designs used to recreate the rooms and ceiling of the palace.





Experts used tree-ring dating technique known as ‘dendrochronology’ to analyse the oak from which the Stirling Heads are carved. They discovered that the timber was grown in Poland and felled in 1539 before being brought here to be carved.



State-of-the-art 3D laser scanning recorded every detail of a Head. Painstaking analysis has shown that the Heads were originally painted. Although the carvings have lost most of their decoration some tiny paint fragments still survive. From studying these, experts have discovered a little about how the paint was originally applied, helping to build up a picture of the likely original colour scheme in the palace.
These Stirling Heads were designed to reinforce James V’s credentials by aligning him with other powerful men. Two of them probably represent his ancestors, while the others depict men of power and influence. By Displaying his friends in high places, the king affirms that he, like them, is one of the most powerful leaders in Europe.


The more ancient and unbroken the line of royal ancestors to which a king could lay claim, the less likely that his authority could be disputed. Portraits were a valuable way of demonstrating this inheritance.
One of the Heads may depict Charles V (1500 – 58) who was Holy Roman Emperor and heir to four of Europe’s leading dynasties. Throughout James V’s lifetime, Scotland was caught in an ever-shifting balance of power between France, England and the Holy Roman Empire. By including Charles V in the Heads, James made it clear that he was standing shoulder-to-shoulder with the most powerful ruler in Europe.


In 1777, the enormous weight of the Stirling Heads caused part of the ceiling in the King’s Inner Hall to collapse. This drawing, from 1817, is the earliest attempt to suggest how the ceiling may have originally looked.


Now, the King's Inner Hall has been redone and restored to what is believed to be its original freshly-painted condition, including the heads on the ceiling. You can compare the original Jester to the redone, painted jester above.




James V stands on the north-east corner of the Palace. (Below) This sculpture is supported by a square column decorated with a floral motif. He stands beside the classical gods Saturn and Venus and looks down on visitors. Saturn and Venus symbolize peace and plenty. The art and architecture was influenced by the palaces of France and ancient Rome.

I hope you enjoyed this visit to the Palace at Stirling Castle. I have more photos to show of the restored interior of the Palace next time.
Thanks!
Vonda
www.vondasinclair.com

P. S. James V's grandson, James VI & I is a secondary character in my novel, My Wild Highlander!


Lady Angelique Drummagan, a half-Scottish, half-French countess, has suffered much pain and betrayal in her past. She wants nothing to do with the sensual Scottish warrior that the king has ordered her to marry because the rogue could never be a faithful husband, but she has little choice in the matter. Dangerous, greedy enemies threaten her from all sides and she's in dire need of his protection.

Sir Lachlan MacGrath, known as Seducer of the Highlands, possesses a charming wickedness and canny wit which has earned him much popularity. After the king decrees that he wed the fiery hellion, Lachlan discovers there is one woman who can resist him--Angelique. Can he break through her icy façade and melt her heart, or will the dark secrets lurking in her past not only cost them their future together, but their very lives?


I've recently received some wonderful new reader reviews at Amazon!

A. Will: "What is it about the bad boys that women desire? The second book in Vonda Sinclair's Highland Adventure series proves to be a phenomenal read! ...I am amazed at Ms. Sinclair's ability to weave such a beautiful storyline that it enveloped me into the world of 17th Century Scotland. She is quickly becoming one of my favorite authors and I can't wait to read more from her."
Teresa G.: "What an amazing book. The author is truly talented and I love 
her work." 
M. Rutherford: "This story was just so gosh darned fun!"